Roland HandSonic HPD-15 Instrukcja Właściciela

Thank you, and congratulations on your choice of the Roland HandSonic HPD-15.* The D Beam Controller is provided under license from Interactive Light,

10 Panel Descriptions Front Panel fig.0-01.eROLL/HOLD ButtonWhen this button is lit, the sound will repeat like rolls while pressing a pad (p. 16).R

100MIDI Implementation●OMNI OFF (Controller number 124)Status 2nd byte 3rd byteBnH 7CH 00Hn = MIDI channel number:0 H - FH (ch.1 - ch.16)* The same pr

101MIDI ImplementationAppendices❍Data set 1 DT1 (12H)This is the message that actually performs data transmission, and is used when you wish totransmi

102MIDI Implementation❍Modulation (Controller number 1)Status 2nd byte 3rd byteBnH 01H vvHn = MIDI channel number: 0H - FH (ch.1 - ch.16)vv = Control

103MIDI ImplementationAppendices❍Sound Controller 5 (Controller number 74)Status 2nd byte 3rd byteBnH 4AH vvHn = MIDI channel number: 0H - FH (ch.1 -

104MIDI Implementation●StopStatusFCH●Active SensingStatusFEH* This will be transmitted constantly at intervals of approximately 250ms. System Exclusiv

105MIDI ImplementationAppendices1-1-3 MIDI+—————————————————————————————————————————————————————————————————+|Offset | |

106MIDI Implementation|—————————————+———————————+———————————————————————————————————————|| 0E | 0aaa aaaa | ReverbSend 0 - 127

107MIDI ImplementationAppendicesSpace D, Stereo Fln, StepFlanger, Phaser, FbackPitch, StereoDelay, Mod Delay,TimeCtrlDly, 3TapDlySht, 3TapDlyLng, 4Tap

108MIDI Implementation4. Bulk DumpBulk Dump allows you to transmit a large amount of data at once, and is convenient forstoring settings for the entir

109MIDI ImplementationAppendices Examples of actual MIDI message<Example 1> 95 3E 5F9n is the Note-on status, and n is the MIDI channel number.

11Panel Descriptions Rear Panel fig.0-02.ePHONES JackConnect stereo headphones.Even if headphones are connected,sound will still be output from the

110MIDI ImplementationFunction...BasicChannelModeNoteNumber :VelocityAfterTouchPitch BendControlChangeProgramChangeSystem ExclusiveSystemCommonSystemR

111MIDI ImplementationAppendicesFunction...BasicChannelModeNoteNumber :VelocityAfterTouchPitch BendControlChangeProgramChangeSystem ExclusiveSystemCom

112SpecificationsHPD-15: HandSonicMaximum Polyphony64 VoicesInstrumentsPad Instruments: 600Backing Instruments: 54User Patches80Preset Patches160Patch

113IndexNumerics3-Tap Delay (3TapDlySht/3TapDlyLng) ... 504-Tap Delay (4TapDlySht/4TapDlyLng) ...

114IndexNNote No. ... 76OOverdrive ...

For the USAFEDERAL COMMUNICATIONS COMMISSIONRADIO FREQUENCY INTERFERENCE STATEMENTThis equipment has been tested and found to comply with the limits f

InformationWhen you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.As of

12 Attaching the HPD-15 to the Stand 1 Attach the stand holder (included with the optional PDS-15) to the HPD-15. Using the screws provided with the

13Chapter 1 Chapter 1 Quick Start This chapter explains basic operation of the HPD-15.For details on modifying sounds and settings, refer to “Chapter

14Chapter 1 Quick Start Listening to the Demo Song 1 Simultaneously press [SEQUENCER] and [SYSTEM]. fig.1-01fig.1-02 2 Turn [PATCH/VALUE] or use [PAT

15Chapter 1 Quick StartChapter 1 Performing Hit the pads The pads of the HPD-15 will produce different volume or tones depending on where or how stro

16Chapter 1 Quick Start Pass Your Hand over the D Beam By passing your hand over the D Beam located at the top of the panel, you can produce sounds

17Chapter 1 Quick StartChapter 1 Playing Various Sounds Let’s use the patch (p. 21) of P0101 Conga to hear various sounds from the pads, ribbons, a

18Chapter 1 Quick Start Playing a Scale You can use the pads to play the sounds of a pitched instrument such a steel drum or marimba.Let’s use the pa

19Chapter 1 Quick StartChapter 1 Using Knobs to Modify the Tone (Realtime Modify) The sounds of the HPD-15 have various parameters that determine t

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.BLUE: BROWN: As the colours of the wires in the mains lead

20Chapter 1 Quick Start Adding Effects Such as Reverb or Distortion (Multi-Effects) The HPD-15 contains a multi-effect unit that can apply various e

21Chapter 1 Quick StartChapter 1 Changing Sounds to Play (Patch Select) A patch contains settings for the pads, controllers, and effects. The HPD-1

22Chapter 1 Quick Start Changing Patches with the Dial 1 Turn [PATCH/VALUE]. The patch will change as shown in the diagram. fig.1-16 Changing Patches

23Chapter 1 Quick StartChapter 1 Changing Patches with the Pads (Pad Patch Select) fig.1-18 1 Hold down [PATCH SEL], and strike a pad B1–C5 to select

24Chapter 1 Quick Start Changing the Settings of a Patch (EZ Edit) The process of modifying a patch is called “editing.” The HPD-15 provides Easy (E

25Chapter 1 Quick StartChapter 1fig.1-20a.efig.1-21.e* About PEDAL, TRIG 1, and TRIG 2, see p. 72–p. 73.U0101A* PAD SETPitch +200centValueParameter

26Chapter 1 Quick StartPlaying Back a Preset Patternfig.1-221Press [SEQUENCER].[SEQUENCER] will light, and you will enter Sequencer mode.fig.1-22a.e2T

27Chapter 1 Quick StartChapter 1Changing the Tempofig.1-231Press [TEMPO].[TEMPO] will light, current tempo is displayed in the screen.fig.1-23a2Turn [

28Chapter 1 Quick StartSystem SettingsSettings that are shared by all patches are called “system settings.” Settings such as the display contrast and

29Chapter 1 Quick StartChapter 1Adjusting the D Beam SensitivityThe sensitivity of the D Beam will change depending on the amount of light in the vici

3 010 • This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could c

30Chapter 1 Quick StartIf the Sound or Operation Is not as You ExpectIf, as you modify the settings, the sound or operation is no longer as you expect

31Chapter 1 Quick StartChapter 1Rapidly Selecting Parameters or ValuesKey Repeat FunctionThis can also be used when selecting either parameters or val

32Chapter 1 Quick StartSkip FunctionYou can rapidly select parameters or values.Skipping ParametersParameters are grouped into several categories acco

33Chapter 1 Quick StartChapter 1Skipping ValuesWhen selecting an instrument or setting the pitch, you can make the value jump.Instruments (sounds) are

34Chapter 1 Quick StartTry to Play the CongaLet’s try to play the conga using the HPD-15.Use the patch P0101 Conga.• Open (O)Strike the pad A5 or A4,

35Chapter 2Chapter 2 Modifying a PatchThis chapter explains Edit mode, where you can make detailed settings.Basic procedure in Edit Mode1. Press [EDIT

36Chapter 2 Modifying a PatchAdjusting SoundsSelect the sound that you wish to play by using the pads, D Beam, or ribbons. You can also adjust the pit

37Chapter 2 Modifying a PatchChapter 2VeloCurve: Linear, Exp1–2, Log1–2, Spline, Loud1–2, Fix1–16Selects how striking force will affect the volume.Lin

38Chapter 2 Modifying a PatchAdding Cyclic Change to the ToneYou can use the LFO (Low Frequency Oscillator) to cyclically change the pitch, volume, et

39Chapter 2 Modifying a PatchChapter 2Effect SettingsYou can add reverberation to the sound to create the sensation of playing in a hall or on stage,

4 IMPORTANT NOTES 291a In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following: Power Supply

40Chapter 2 Modifying a PatchAdjusting the Multi-Effect SettingsMulti-effect (M-FX) allows you to select different algorithms to obtain a variety of e

41Chapter 2 Modifying a PatchChapter 2Stereo Equalizer (Stereo EQ)This is a four-band stereo equalizer (low, mid x 2, high). Low Freq: 100Hz, 200Hz, 4

42Chapter 2 Modifying a PatchEnhancerThe Enhancer controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound.S

43Chapter 2 Modifying a PatchChapter 2SustainerThe Sustainer restrains loud levels and boosts low levels, making the sound more consistent and sustain

44Chapter 2 Modifying a PatchLo-FiThis effect intentionally degrades the audio quality to simulate a Lo-Fi sound.Bit Down: 0–7 Ctrl3Lowers the audio

45Chapter 2 Modifying a PatchChapter 2Tetra Chorus (TetraChorus)Tetra chorus uses a four-phase chorus (four layers of chorused sound) to give richness

46Chapter 2 Modifying a PatchSpace DSpace D is a multiple chorus that applies two-phase modulation in stereo. This is a chorus with a transparent char

47Chapter 2 Modifying a PatchChapter 2Step Flanger (StepFlanger)The Step Flanger effect is a flanger in which the flanger pitch changes in steps. The

48Chapter 2 Modifying a PatchFeedback Pitch Shifter (FbackPitch)A Pitch Shifter shifts the pitch of the original sound. This pitch shifter allows the

49Chapter 2 Modifying a PatchChapter 2Modulation Delay (Mod Delay)This effect adds modulation to the delayed sound, producing an effect similar to a f

5 Contents IMPORTANT NOTES ...4Features...

50Chapter 2 Modifying a Patch3-Tap Delay (3TapDlySht/3TapDlyLng)The 3-Tap Delay produces three delay sounds; center, left and right. The delay time ca

51Chapter 2 Modifying a PatchChapter 2Advanced Reverb (AdvanceRev)The Reverb effect adds reverberation to the sound, simulating an acoustic space.Type

52Chapter 2 Modifying a PatchControlling the ToneBy pressing on a pad or moving your hand over the D Beam or a ribbon, you can control the tone of oth

53Chapter 2 Modifying a PatchChapter 2Cutoff: Modifies the cutoff frequency of the filter. The character of the high-frequency range will change.Reson

54Chapter 2 Modifying a PatchUsing a Pad to Start a PatternYou can play a sequencer pattern by striking a pad (B1–B5, C1–C5).Pads A1–A5, the D Beam, a

55Chapter 2 Modifying a PatchChapter 2Specifying the Roll SpeedYou can specify the speed at which notes will be repeated when you press [ROLL/HOLD].fi

56Chapter 2 Modifying a PatchSaving Your Settings (Write)The settings you modify will be lost if you switch patches or turn off the power. If you wish

57Chapter 2 Modifying a PatchChapter 2Copying a Pad Set (Pad Set Copy)You can copy the settings of a pad set to another pad set. You can also copy to

58Chapter 2 Modifying a PatchCopying a Value to All Pads1. Hold down [PATCH SEL], and press [WRITE] in Edit mode.The displayed value of the parameter

59Chapter 3Chapter 3 Recording Your Performance (Sequencer)You can record your performance in the sequencer.On the HPD-15, your performance will be re

6Contents Adjusting the Sensitivity of the Pads...54Specifying

60Chapter 3 Recording Your Performance (Sequencer)Settings for the Patternfig.3-08.e1 – 9990 – 127SETUPPARTTime Sig.InstSpecifying the Time SignatureS

61Chapter 3 Recording Your Performance (Sequencer)Chapter 3Settings for the Click, and othersfig.3-09.eChecking the Remaining Amount of MemoryChanging

62Chapter 3 Recording Your Performance (Sequencer)Settings for the Recording (Set in the Recording Stand-by mode)fig.3-10.eYou can start recording by

63Chapter 3 Recording Your Performance (Sequencer)Chapter 3Basic Settings for Playing Back1. Press [SEQUENCER] to make it light; you will enter the Se

64Chapter 3 Recording Your Performance (Sequencer)Editing a PatternYou can edit either copy/delete the patterns or erase the part.Basic Settings for E

65Chapter 4Chapter 4 Changing Patches in the Desired SequenceThis allow you to step through the patches of your choice and in the order you want. The

66Chapter 4 Changing Patches in the Desired SequenceInserting a Chain StepThis operation inserts a patch into the specified location of a chain.fig.4-

67Chapter 5Chapter 5 Settings for the Entire HPD-15Settings that affect the entire HPD-15 are called system settings. This chapter explains how to mod

68Chapter 5 Settings for the Entire HPD-15Settings for the Basic Operationfig.5-04.eUTILITY LCD ContrastAdjusting the Contrast of the DisplaySpecifyin

69Chapter 5 Settings for the Entire HPD-15Chapter 5Settings for the Controllersfig.5-05.eTurning On/Off the D Beamfig.5-05aPressing D Beam [SOUND] tur

7Contents Chapter 6 Connecting MIDI Devices ...76 Using the HPD-15 to Play External Instruments...

70Chapter 5 Settings for the Entire HPD-15Setting the Pad SensitivityIf you wish to make more detailed settings, set the following parameters.fig.5-06

71Chapter 5 Settings for the Entire HPD-15Chapter 5Using the Foot Switches to Control the Tone / SequencerYou can connect two foot switches (BOSS FS-5

72Chapter 5 Settings for the Entire HPD-15Using the Pedal to Control the Hi-Hat / ToneYou can use a expression pedal / hi-hat control pedal connected

73Chapter 5 Settings for the Entire HPD-15Chapter 5Using the External Pads/Kick Trigger Unit to Trigger a Sound You can connect two external pads (PD-

74Chapter 5 Settings for the Entire HPD-15More Detailed Settings for the External Pads / Kick Trigger UnitWhen you are using pads made by other manufa

75Chapter 5 Settings for the Entire HPD-15Chapter 5Setting the Sound of the External Pads / Kick Trigger UnitThe settings of the sound of the external

76Chapter 6 Connecting MIDI DevicesThere are many possibilities when using MIDI, such as:Use the HPD-15 to play external instrumentsUse the HPD-15 as

77Chapter 6 Connecting MIDI DevicesChapter 6Setting the Note Number When Connecting to the Drum Sound ModuleSelect the patch of P0606 Studio, specify

78Chapter 6 Connecting MIDI DevicesUsing the HPD-15 As a Sound ModuleMake settings for playing the HPD-15 as a sound module from a MIDI keyboard or ot

79Chapter 6 Connecting MIDI DevicesChapter 6Using with the Roland SPD-20 (SOFT THRU)This section explains how you can use the Roland SPD-20 (a MIDI co

8 Features • The HPD-15 is a compact and lightweight digital hand percussion unit with built-in sound generator, that you can play with your naked ha

80Chapter 6 Connecting MIDI DevicesCutting the Connection Between the Sound Generator and the Pad Controller (Local Control)This setting is required w

81Chapter 6 Connecting MIDI DevicesChapter 6Refer to the owner’s manual of the receiving device.5. Press [WRITE] to begin data transmitting.* If you w

82Chapter 6 Connecting MIDI DevicesSetting the Device IDThe setting described here is necessary only when you wish to transmit separate data to two or

83AppendicesTroubleshootingThis chapter outlines points to check if you experience problems, and what to do about them.Problems With the Overall Sound

84TroubleshootingMulti-Effects / Reverb / LFO Does not AppliedIs not the [MULTI-EFFECTS] button light? (p. 20)Press [MULTI-EFFECTS] to make it light.I

85AppendicesRestoring the Factory SettingsYou can restore patch and pad settings as well as pattern data stored in the HPD-15 to the settings in effec

86Messages and Error MessagesThis section lists the messages (error messages) that the HPD-15 produces and explains the meaning of each message, givin

87Messages and Error MessagesAppendicesfig.7-14A large amount of MIDI messages were received in a short time, and could not be processed completely. C

88About MIDIMIDI (Musical Instruments Digital Interface) is a standard specification that allows musical data to be exchanged between electronic music

89About MIDIAppendicesHow the Internal Sequencer OperatesA sequencer is an electronic instrument used for recording and playback of performances. The

9 How To Use This Manual This owner’s manual is organized as follows. Quick Start (Chapter 1) This section is intended for those using the HPD-15 for

90Preset Patch List#: Patch Change via MIDI(Bank No.) - (Program No.)LATIN #P0101 Conga 2-1P0102 Bongo 2-2P0103 Timbales 2-3P0104 LatinToys 2-4P0105 C

91AppendicesPreset Pattern ListPlayType: LoopP01 Cha-ChaP02 ChaChaLiteP03 MamboBreakP04 ComparSlowP05 ComparFastP06 SonMontunoP07 MerengueP08 Latin 6/

92Instrument List*M: Mute switching sound*P: Responds to positional sensing when assigned to pad A1 or A5.*D: The ribbons/D Beam will produce differen

93Instrument ListAppendicesA46 JawsHarp WowA47 JawsHrp OpWo *M, *DA48 Bonang *TA49 Gender *TA50 Saron *TA51 AngklungA52 Gamelan 1 *TA53 Gamelan 2 *TOR

94Instrument ListPad Set Instrument ListNo. Name 1 Conga 2 Conga II 3 Bongo 4 Timbales 5 Paila Lo 6 Paila Hi 7 Giro&Cowbel 8 Latin Perc 1 9 Latin

95AppendicesEffect Type List* REVERB/DELAY Type and MULTI-FX Type are common to EZ Edit mode and Edit mode.REVERB/DELAY TypeOFF No reverbWarmRoom Room

96Demo Song List1. TABLECTRIC Music by Ikuo Kakehashi Copyright © 2000 Roland Corporation2. Forest Trip Music by Ikuo Kakehashi Copyright © 2000 Rolan

97AppendicesMIDI ImplementationModel HPD-15Version 1.00March.23 20001. Receive data Channel Voice Messages* The following channel voice messages are r

98MIDI Implementation❍Expression (Controller number 11)Status 2nd byte 3rd byteBnH 0BH vvHn = MIDI channel number: 0H - FH (ch.1 - ch.16)vv = Control

99MIDI ImplementationAppendices❍Effect 2(Tremolo Depth) (Controller number 92)Status 2nd byte 3rd byteBnH 5CH vvHn = MIDI channel number: 0H - FH (ch.